In commemoration of the 80th anniversary of the Chinese people ‘ s anti-Japanese war and the victory of the world ‘ s anti-fascist war, the AIG Anti-War Micro-Coordinates, built by the Radio and Tunnel Force, were broadcast online in recent days. This work, produced jointly by the Mandarin Plan studio and the Prism-AIG studio, has created a whole new paradigm for the main melody, using the full-AI creative model of “No real person out of sight, no scenes, no moving catcher.” After the show, the cat’s short-eye hottest day and effective playtime day-time champion were awarded the first brightest result in the highest single series of the CSM network in the country.
As a Mango TV self-study project on the “AIG content creation platform for the Mountain Sea”, the Coordinates subverted the traditional video production process and, following a year of exploration by the prism-AIG studio of the integration of AI technology with the visual scene, the play achieved a full-process AI-based production from text scripts to static images, dynamic generation and musical sound, which resulted in efficiency gains, reduced costs and re-use of models, and contributed to the overall scaling and quantification of short dramas. Technology-enabled, super-written, super-scientific images that allow AI to become a “precision translator” in reading history and communicating spirit.
In the play, when returning to the battlefield, the low-to-minus trajectory of the shell, the speed at which the smoke spreads, are strictly based on historical tactical records and the meteorological data available at the time. The staff member described, for example, the scenes of the character Zhou Shulan using a pencil to stab the enemy, turning the meaning of “brush as a gun” into a visual image by reinforcing the sharpness of the pen and the fire in the eyes; in the scene of her sacrifice, algorithms were processed in reverse-screeching, avoiding both blood and poetry as a sign of a hero’s death. This technological treatment, while preserving the temperature of content, makes heroism a touchable, resonant emotional symbol beyond the historical space and time limits.
The narrative innovation of the Coordinates is reflected in the construction of a “psychological transmission channel” with AI technology that has passed through 40 years. On the historical front, key elements, such as the machine of Zhou Shulan’s garment collection, the intelligence of the false map to seduce the enemy, and the whisper to sacrifice the pre-Chinese victory, were deciphered to 127 emotional nodes, reinforcing the person’s arcs by contrasting the light with the light; on the modern line, the motto of a “pen or gun” on the chalk board of the Academy of Surveying and Mapping moved in real time with the battlefield image created by AI, giving contemporary students a sense that “the pen that was in hand that year has now become the tip of satellite mapping”.
The Coordinates, the country’s first purely AIG anti-war micro-shortplay, on the one hand, has reduced the creation threshold for red subject matter by its standardized technical processes, allowing for the efficient presentation of complex historical scenes, and, on the other hand, has broken the limitations of the micro-short feature through “AI” in combination with “emotional” content innovations, expanded the young path of the main melody, and also bodes well for an entirely new creative era in the film industry.
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